‘Frankenstein’ at the Greenwich Theatre 2026 Review

Yesterday the British Youth Music Theatre successfully reanimated Frankenstein, a musical adaptation of Shelley’s novel first staged at Theatre Royal Plymouth in 2006. Although the first half has a habit of telling not showing, and does not quite settle on what it wants to be, juggling gothic horror, musical theatre and at times, melodrama, theContinue reading “‘Frankenstein’ at the Greenwich Theatre 2026 Review”

‘Frankenstein’ 2025: An Analysis

Mary Shelley’s ‘Frankenstein’ is probably one of the most famous British novels – if not THE most famous in Gothic circles. Personally, I’ve always been more team ‘Dracula,’ so I was very interested to see what Guillermo Del Toro’s take had in store for the iconic story. Safe to say, the film has received raveContinue reading “‘Frankenstein’ 2025: An Analysis”

The Queer Displacement of Desire in ‘Frankenstein’ and ‘Dracula’

Today we navigate through the dangerously queer displacements of desire in ‘Frankenstein’ and ‘Dracula’! Before we start, some definitions: ‘Displacement’ originates from Freud and is defined as the unconscious ‘shifting of energy’ from one person to another, the ‘energy’ in question being desire. [1] ‘Queer’ refers to anything that opposes the dominant ideals that humanityContinue reading “The Queer Displacement of Desire in ‘Frankenstein’ and ‘Dracula’”

Being a Conscious Reader, the Consciousness and Hamlet

The term ‘consciousness’ is used to describe a person’s perception or awareness of something else, and as an English literature student, exploring the conscious mind of a character is how one truly gets to know them. By exploring their innermost fears, desires and loves, the true nature of a character’s personality can be revealed. TheContinue reading “Being a Conscious Reader, the Consciousness and Hamlet”