Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two

The establishment that Fallenness is attached exclusively to the female sex becomes more difficult to uphold when interrogating the texts more deeply, as men exhibit Fallenness like their female counterparts. Ambrosio recognises that he is currently in the ‘period of life when passions are most vigorous, unbridled, and despotic.’[1] This list of three emphasises theContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two”

Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One

Milton’s use of ‘man’ in Paradise Lost (1667) refers to the entirety of mankind, even though, ironically, it is woman, specifically in the form of Eve, who commits the ‘First Disobedience.’ Eve then draws Adam into sin with her by sharing with him the fruit from the Tree of Knowledge. For this, Adam and EveContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One”

On the Madonna-Whore Complex of Women in Gothic Literature

Feminist criticism formed the idea of the ‘feminine Gothic,’ a term that examines the portrayal of female characters within the Gothic genre.[1] Critics focused on the tendency of male writers to keep female characters within the constraints of social stereotypes, leaving them victims of the traditional misogynistic and patriarchal culture.[2] Within this stereotype is theContinue reading “On the Madonna-Whore Complex of Women in Gothic Literature”