Lucy Westenra’s Transformation in ‘Dracula’

Lucy and Mina are the two main female characters in ‘Dracula,’ and both have very different roles. Mina is dark haired, Lucy is fair haired, Mina is the brains, Lucy is the progressive thinker, in terms of relationships and sex. Together they are ‘woman,’ and individually form two sides of the same coin. Both fallContinue reading “Lucy Westenra’s Transformation in ‘Dracula’”

The Queer Displacement of Desire in ‘Frankenstein’ and ‘Dracula’

Today we navigate through the dangerously queer displacements of desire in ‘Frankenstein’ and ‘Dracula’! Before we start, some definitions: ‘Displacement’ originates from Freud and is defined as the unconscious ‘shifting of energy’ from one person to another, the ‘energy’ in question being desire. [1] ‘Queer’ refers to anything that opposes the dominant ideals that humanityContinue reading “The Queer Displacement of Desire in ‘Frankenstein’ and ‘Dracula’”

Thomas Hardy’s use of colour in ‘Tess of the D’Urbervilles’

Note: This article will probably make more sense if you have read the novel, and contains spoilers!
Some thoughts on Hardy’s use of colour in the aforementioned novel, based on my first reading of it!

On the Madonna-Whore Complex of Women in Gothic Literature

Feminist criticism formed the idea of the ‘feminine Gothic,’ a term that examines the portrayal of female characters within the Gothic genre.[1] Critics focused on the tendency of male writers to keep female characters within the constraints of social stereotypes, leaving them victims of the traditional misogynistic and patriarchal culture.[2] Within this stereotype is theContinue reading “On the Madonna-Whore Complex of Women in Gothic Literature”