‘Ghosts’ at the Lyric Hammersmith Review – a gripping reimagining that digs deeper into the heart of Ibsen’s scandalous classic

Countless students have pored over Henrik Ibsen’s stories and characters, myself included. Whilst his works were shocking and scandalous at the time of publication, ‘Ghosts’ was first performed in 1882, restaging Ibsen’s plays today runs the risk of losing the original shock factor. This is where Gary Owen and Rachel O’Riordan’s reimagining of the sourceContinue reading “‘Ghosts’ at the Lyric Hammersmith Review – a gripping reimagining that digs deeper into the heart of Ibsen’s scandalous classic”

‘The Phantom of the Opera’ 1910: The Phantom, Raoul and Christine – A Toxic Love Triangle

Happy (early) Valentines Day! What better day to break down one of literatures most famous love triangles? Gaston Leroux’s novel ‘The Phantom of the Opera’ has charmed, and haunted, the world long before Andrew Lloyd Webber took to his keyboard. Despite the books success though, it was Webber’s words that immortalised the story and lovesContinue reading “‘The Phantom of the Opera’ 1910: The Phantom, Raoul and Christine – A Toxic Love Triangle”

The Ghostly Cycle in ‘A Tale of Two Cities,’ ‘The Legend of Sleepy Hollow’ and ‘Rip Van Winkle’

Perhaps no character is ‘recalled to life’ so forcefully as the Headless Horseman in Washington Irving’s The Legend of Sleepy Hollow (1820). The Horseman returns to the land of the living but does so without his head. In losing his head, he is physically deprived of an integral part of his being, and is thereforeContinue reading “The Ghostly Cycle in ‘A Tale of Two Cities,’ ‘The Legend of Sleepy Hollow’ and ‘Rip Van Winkle’”