Power relations in ‘A Midsummer Night’s Dream’ and ‘Antigone’

Foucault notes that power is ‘interwoven with all social relations,’[1] and such relations occur as a result of ‘divisions and inequalities.’[2] In both ‘Antigone and ‘A Midsummer Night’s Dream,’ power relations are defined by the inequality that is influenced by gender. The control that Creon has over Antigone, as her King and uncle, and theContinue reading “Power relations in ‘A Midsummer Night’s Dream’ and ‘Antigone’”

On the affect of absent mothers in ‘Wide Sargasso Sea’ and ‘Dolly’

Despite their difference in genre, Jean Rhys’ Wide Sargasso Sea and Susan Hill’s Dolly both explore how issues in childhood impact later life. The protagonists Antoinette and Leonora respectively are presented as having traumatic relationships with absent mothers. However, the responses of these characters to their experiences differ. Antoinette is made vulnerable by the lackContinue reading “On the affect of absent mothers in ‘Wide Sargasso Sea’ and ‘Dolly’”

From school to university…

“We’re family now” Oddly, the person who said this to me had only been in my life for thirteen days. Those thirteen days were the most exciting, overwhelming and surreal days of my life, as they were my first thirteen days at university. One day I was living at home, the next I’d been cartedContinue reading “From school to university…”

On the Madonna-Whore Complex of Women in Gothic Literature

Feminist criticism formed the idea of the ‘feminine Gothic,’ a term that examines the portrayal of female characters within the Gothic genre.[1] Critics focused on the tendency of male writers to keep female characters within the constraints of social stereotypes, leaving them victims of the traditional misogynistic and patriarchal culture.[2] Within this stereotype is theContinue reading “On the Madonna-Whore Complex of Women in Gothic Literature”