Christian Allegory in ‘The Lion, the Witch and the Wardrobe’

C. S. Lewis’ 1950 children’s classic has been adapted multiple times for stage and screen. While the novel is consistently cited as a fan favourite, what is less obviously cited is the Christian allusions within it. Some adaptations play this up more than others, and after re-reading the book, I would say that they doContinue reading “Christian Allegory in ‘The Lion, the Witch and the Wardrobe’”

Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two

The establishment that Fallenness is attached exclusively to the female sex becomes more difficult to uphold when interrogating the texts more deeply, as men exhibit Fallenness like their female counterparts. Ambrosio recognises that he is currently in the ‘period of life when passions are most vigorous, unbridled, and despotic.’[1] This list of three emphasises theContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two”

Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One

Milton’s use of ‘man’ in Paradise Lost (1667) refers to the entirety of mankind, even though, ironically, it is woman, specifically in the form of Eve, who commits the ‘First Disobedience.’ Eve then draws Adam into sin with her by sharing with him the fruit from the Tree of Knowledge. For this, Adam and EveContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One”

Alec D’Urberville: Religious Fanaticism, Temptation and the Bible

Alec D’Urberville is ‘Tess of the D’Urbervilles’ big bad, as his rape of Tess sets all of the events of the novel in motion, leading Tess down a path of misery which ends in her death and his. Alec is initially portrayed as a bit of a moustachioed pantomime villain, but his later resurgence inContinue reading “Alec D’Urberville: Religious Fanaticism, Temptation and the Bible”

On the Madonna-Whore Complex of Women in Gothic Literature

Feminist criticism formed the idea of the ‘feminine Gothic,’ a term that examines the portrayal of female characters within the Gothic genre.[1] Critics focused on the tendency of male writers to keep female characters within the constraints of social stereotypes, leaving them victims of the traditional misogynistic and patriarchal culture.[2] Within this stereotype is theContinue reading “On the Madonna-Whore Complex of Women in Gothic Literature”