Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two

The establishment that Fallenness is attached exclusively to the female sex becomes more difficult to uphold when interrogating the texts more deeply, as men exhibit Fallenness like their female counterparts. Ambrosio recognises that he is currently in the ‘period of life when passions are most vigorous, unbridled, and despotic.’[1] This list of three emphasises theContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part Two”

Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One

Milton’s use of ‘man’ in Paradise Lost (1667) refers to the entirety of mankind, even though, ironically, it is woman, specifically in the form of Eve, who commits the ‘First Disobedience.’ Eve then draws Adam into sin with her by sharing with him the fruit from the Tree of Knowledge. For this, Adam and EveContinue reading “Fallenness and Gender in ‘Paradise Lost,’ ‘The Monk’ and ‘Lamia’ – Part One”

Ambrosio and Irony in ‘The Monk’

‘The Monk’ is a pretty crazy book, it grabs you by the throat and does not let go. It is not afraid to tackle difficult topics, and covers murder, corruption and incest in its monastic setting. It was difficult to write this and choose one topic to focus on, but I do feel that theContinue reading “Ambrosio and Irony in ‘The Monk’”