Gone Girls and Cool Girls: Holly Golightly and Amy Elliott Dunne

Now, I doubt many people would put Holly Golightly and Amy Elliott Dunne together – and I’ll admit, I came across the idea totally by chance. I recently read Gillian Flynn’s 2012 thriller Gone Girl, and afterwards chance upon Truman Capote’s 1958 novella Breakfast at Tiffany’s. Gone Girl tells the story of Nick’s search forContinue reading “Gone Girls and Cool Girls: Holly Golightly and Amy Elliott Dunne”

The ‘Femme Fatale’ on Screen

The French phrase ‘Femme Fatale’ translates to ‘fatal woman,’ and describes an archetype that originates from the classic film noir of the 1940s and 50s. This stock character usually brings about the destruction of the protagonist, usually male, and manages to reject traditional ideals of femininity while she does. There have been many iterations ofContinue reading “The ‘Femme Fatale’ on Screen”